“With rare exceptions the sentences are beautifully balanced (much also to the credit of translator West), and as laden with visuals as a feast table in the era of the Dutch masters was loaded down with victuals. The omniscient narrator is flawlessly neutral, allowing the images, the minimal action, and the character’s reactions to the events of this single day in a Roman square tell the story. I was reminded slightly of Alain Robbe-Grillet’s dispassionate voice, but Winkler, despite complete emotional disengagement—even when narrating in gruesome detail a butcher splitting open the head of the lamb or a hare—somehow conveys more warmth than Robbe-Grillet. … With its open love of the sensuous, [Natura Morta] lingers curiously long in the mind, staining memory a subtle hue in the way that, hours after the sun has disappeared behind the horizon, the sky still holds its glow.”
For the complete review: Vincent Czyz, The Arts Fuse (June 2, 2014).